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Erm... I figured, since I'm so incredibly lazy at updating me journal (for me life be not the most interesting in the world - I'm sure no one wants to hear me babble on about which latest book, games, or whatever I be watching and have gotten utterly fascinated by, ne? :'D), why not simply do this - stick up me favourite artists over here~?
And so... tada!
[Besides, I be sick of looking at me old journal. I'm sure ye all are too! X'D So just ignore this random babbling please and go and admire the much better works (and far more interesting journals! ) of these guys! XD]
Ohaio ozaimaas! So i was wondering that you must have faced problems while trying to explain to the jurers about your work.I mean its miniature painting and they expect you to have like a local preception on things. Im into western folk lores and mythos and very much influenced by Tolkienish sort of worlds. So i was wondering how i should go about justifying my work. I mean i havnt seen any contemporary miniature paintings like yours done by anyone and i love that sort of story telling then the stuff they have out in the market done by new artists and the teachers here! Hooa!
Ho~! Well... actually, my problem with my jurors usually was that I oft times just had way TOO much to say. I be a big babbler, see...? Especially when I get started upon my characters and stories. X'D So I usually had to face the doom fate of me jurors starting to fall asleep after half an hour of babbling.
But yeah, they usually do want something very 'local'. They still do actually. Galleries that is (now), not the jurors. 'Tis a fate that the lot of us will have to forever struggle with. As for myself though, unlike what all I've seen of your work so far, I was always partial to the Persian school. Those produced in the Safavid times in particular. Once I got round to combining those with my own style though, I could easily justify it, since the Persian masters and modern manga loosely share the same roots. Though I kind of think, after 15 minutes of eating the poor jurors' heads off just about this and they were willing to even believe that Behzad was a cat, if only to just shut me up.
Are you in your thesis year? I don't know if you noticed, but I actually do have me old thesis up in me scraps. That might give you a clue as to how I went about developing what I picked. Which was basically, alchemy. And while most people tend to dismiss alchemy as a very 'european' art of mumbo-jumbo-ness, they kind of don't realize that it is actually in truth very arab. Al-Khemia. First discovered and poked about with by the sages on this side of the land.
Sooooo... basically... I kind of believe everything basically links back to one part of the world or the other. When you say that the Tolkien-ish world interests you, may it be the people or the deities, you might find that certain things are reflected back in various tales and mythologies from all over the world. Let's say.... perhaps one could loosely compare the One King and the Nazgul to... the Zoroastrian Ahriman and the daevas? Or even the Valar to the elder gods, the Titans? And then, how all the hierarchy of all the world's great myth-religions just seems to... reflect and mirror each other.
*babble babble*
Er... well... I have no clue if any of this at all was relevant or helpful. It's just about knowing what you are doing, looking at it from all sides, and making sure you know that you are prepared to answer any person might throw at you. Convincingly. Once you have that down, methinks one can do aaaaaanything at all~
Wow!That was a very helpful thanks! I mean you sort of nailed everything, and i think i like to hear more about what you have to say about the style of miniature tht we are going for. As for what year i am im in 3rd year. We have been given our exam problem which is are 3 paintings in a sequence. I was listening to the band Aina, which was introduced to me by Merriya. Its metal opera and it tells us a story about a how love can turn into hate and ultimately destroy all one loves.Sort of a sado masochistic kind of psychology. So i went about making drwaings of the part where the prince transforms from good to evil. Its a very cliched but hey its being done again and again and everyone is happy! Anyways thanks though, ill bug you soon! Sayonara
But yeah, they usually do want something very 'local'. They still do actually. Galleries that is (now), not the jurors. 'Tis a fate that the lot of us will have to forever struggle with. As for myself though, unlike what all I've seen of your work so far, I was always partial to the Persian school. Those produced in the Safavid times in particular. Once I got round to combining those with my own style though, I could easily justify it, since the Persian masters and modern manga loosely share the same roots. Though I kind of think, after 15 minutes of eating the poor jurors' heads off just about this and they were willing to even believe that Behzad was a cat, if only to just shut me up.
Are you in your thesis year? I don't know if you noticed, but I actually do have me old thesis up in me scraps. That might give you a clue as to how I went about developing what I picked. Which was basically, alchemy. And while most people tend to dismiss alchemy as a very 'european' art of mumbo-jumbo-ness, they kind of don't realize that it is actually in truth very arab. Al-Khemia. First discovered and poked about with by the sages on this side of the land.
Sooooo... basically... I kind of believe everything basically links back to one part of the world or the other. When you say that the Tolkien-ish world interests you, may it be the people or the deities, you might find that certain things are reflected back in various tales and mythologies from all over the world. Let's say.... perhaps one could loosely compare the One King and the Nazgul to... the Zoroastrian Ahriman and the daevas? Or even the Valar to the elder gods, the Titans? And then, how all the hierarchy of all the world's great myth-religions just seems to... reflect and mirror each other.
*babble babble*
Er... well... I have no clue if any of this at all was relevant or helpful. It's just about knowing what you are doing, looking at it from all sides, and making sure you know that you are prepared to answer any person might throw at you. Convincingly. Once you have that down, methinks one can do aaaaaanything at all~
I love the way you color!!
so amazing!!
You're works are so detailed and full of life..amazing!!
Keep it up!!
^____________________^
--
"Love is a prelude to despair and destruction"
-Kyoko Mogami
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